Paint This with Jerry Yarnell

In the third episode Jerry shows how to apply the brighter highlights on the snow to help seat the teepees and trees.

Acrylic Medium on 18x24 stretched canvas. In this opening session, Jerry talks to his viewers about the importance of developing a photographic memory.

In episode 2, Jerry shows his viewers how to continue the process of underpainting the snow.

In episode 3, Jerry shows his viewers how to use the chisel-edge brushes to underpaint the corn stalks and create the illusion of depth by painting in long rows of stalks following the contour of the rolling snow-covered hills.

In this final session, Jerry shows his viewers how to continue painting highlights on the corn stalks to give them a strong, sunlit appearance.

Acrylic Medium on 18x24 stretched canvas. In this opening segment, Jerry talks about the historical signature of this painting.

In this segment, Jerry continues showing his viewers how to add additional layers of clouds to create a more dramatic affect.

In this episode, Jerry shows his viewers how to paint on the initial details of the eagle's head.

In this episode, Jerry shows his viewers how to add more highlights and brighter rays to the sunset.

In this final segment, Jerry shows his viewers how to detail and adjust the shape of the Statue's face and body.

Acrylic Medium on 18x24 stretched canvas. In this opening episode, Jerry talks about the features of the beautiful Park.

In this session, Jerry continues on with showing how to complete the underpainting of the washes and grass areas.

In this episode, Jerry now begins highlighting the grasses with a deep rich golden tone.

In the final segment of this series, Jerry shows how to apply final highlights to the washes.

Acrylic Medium on 18x24 stretched canvas. In this opening session, Jerry discusses the underpainting procedure.

In episode 2, Jerry shows his viewers how to paint in the first distant layers of pine trees on top and behind the bank.

In episode 3, Jerry shows his viewers various techniques for making different types of pine trees with various values, tones, and colors.

In this session, Jerry shows his viewers several different techniques for painting in the final details on top of the cliff, like the dead pine trees, the fallen logs, and other debris along the base of the pine trees.

In the final segment, Jerry discusses the importance of sketching the wolf in the proper location and in the proper proportion.

Acrylic on Two 12x16 Stretched Canvases. In this opening segment, Jerry explains to his viewers what a diptych is and the proper way to compose the composition.

In this episode, Jerry explains two different ways of applying the sketch of the woodpecker and dead tree - either by sketching it directly on the canvas freehand, or by using transfer paper to apply the sketch from an existing drawing.

In this session, Jerry shows his viewers how to underpaint the woodpecker.

In this final segment, Jerry explains the difference in different colors of red and how and what they are used for in various paintings.

Acrylic Medium on 16x20 stretched canvas. In this opening episode, Jerry explains to his viewers what a monochromatic color scheme is.

In this session, Jerry shows his viewers how to apply the bright glow in the center of the painting.

In this episode, Jerry shows his viewers how to use the script brush to paint in the small bushy trees in the middle-ground and then shows how to paint in the middle-ground trees.

In the final segment of this series, Jerry shows how to underpaint the silhouette of the deer.

Acrylic Medium on 18x24 stretched canvas. In this opening session, Jerry explains the size, format, and tint of the canvas.

In episode 2, Jerry shows his viewers how to paint in the very distant trees using the #4 script brush.

In episode 3, Jerry shows his viewers how to paint in the middle ground leafy trees on the very left side of the canvas.

In this final session, Jerry shows his viewers how to block in the large tree on the left side and finish it with the #4 script brush.

Acrylic on 18x24 Stretched Canvas. In this opening episode, Jerry discusses with his viewers the size, format, and tint of the canvas.

In this segment, Jerry shows his viewers how to underpaint the foreground stone pathway using the #6 bristle brush with loose, broad strokes.

In this episode, Jerry begins by explaining the process of creating an elliptical effect to help the stones appear flat.

In this episode, Jerry shows his viewers how to continue adding the foliage and vines for the flowers.

In this final segment, Jerry takes his viewers through the process of painting the final details and highlights on the elderly lady.

Acrylic Medium on 18x24 stretched canvas. In this opening segment, Jerry explains to his viewers the importance of painting what you feel and/or what makes you feel good.

In this session, Jerry begins by highlighting the prairie grasses.

In this episode, Jerry explains the process of sketching in the cows and how to compose them properly.

In the final segment of this series, Jerry shows his viewers how to use the correct brush to paint the highlights and details on the main large brown body parts.

Acrylic Medium on 18x24 stretched canvas. In this opening session, Jerry explains his canvas preparation.

In episode 2, Jerry continues working on the sky. Then he begins painting in the first distant layers of background hills, bushes, etc.

In this episode, Jerry begins the process of underpainting the windmill base, water tank and miscellaneous objects.

In this final session, Jerry continues the process of highlighting and detailing the windmill, water tank, and fence.

Acrylic on 16x20 Canvas Board. In this opening episode, Jerry explains to his viewers the differences between a canvas board and stretched canvas and why he chooses one over the other.

In this segment, Jerry shows his viewers how to underpaint the rest of the painting like the pathway, pots, windows, etc.

In this episode, Jerry begins by using the toothbrush to splatter the effect of gravel on the pathway.

In this episode, Jerry begins by showing the first phases of painting in the flowers.

In this final segment, Jerry starts with continued work on flowers, adding more colored flowers and dimensional highlights.

Acrylic Medium on 16x20 stretched canvas. In this opening segment, Jerry explains to his viewers the process of creating atmosphere in a painting.

In this session, Jerry continues the process of adding glowing lights.

In this episode, Jerry shows how to underpaint the old man's figure and umbrella.

In the final segment of this series, Jerry shows his viewers how to paint in the final details of the old man's face, beard, coat, umbrella, and beard.

Acrylic painting, 16x20 Horizontal. In this opening segment, Jerry discusses his reference material and how he goes about designing the composition.

In this segment, Jerry shows how to finish detailing and highlighting the ground area around the horse and any unfinished background Now he explains the process for underpainting the horse's body.

In episode 3, Jerry explains different types of techniques for detailing the horse and how different brushes create different effects.

In this final episode, Jerry shows his viewers how to finalize details and highlights on the horse.

Acrylic Painting on18x24 stretched canvas. In this opening segment, Jerry explains the history of the old house and discusses the reference material he will be using.

In the session, Jerry shows his viewers how to use various sizes of the synthetic chisel-edge brushes to finish underpainting the light and shadow areas of the old house.

In this episode Jerry shows his viewers how to begin the detailing and highlighting process of the walls and windows.

In this episode Jerry shows his viewers how to begin blocking in all of the foliage in front of the house and foreground.

In the final episode, Jerry shows his viewers the last few details and highlights using the script brush for the tall foreground weeds and the small sable brushes to dab on pure color for the final flowers at the base of the house and for applying the brighter highlights on the house and pathway.

Acrylic painting on15x30 stretched canvas. In this episode, Jerry discusses the reference material he will be using.

In the second episode, Jerry continues underpainting the mountains.

In the third episode, Jerry shows his viewers how to finish highlighting the meadows.

In the final episode in this series, Jerry explains to his viewers the correct process of underpainting the buffalo with darker tones using quick, broad-brush strokes Then he shows how to begin adding the form highlights to create dimension and finishes by showing how to detail and add accent highlights.

Acrylic painting, 15x30 Horizontal. In this opening segment, Jerry explains to his viewers the different types of canvases for blending large skyscapes.

In this segment, Jerry shows how to begin the first phase of blocking in the large mass of clouds.

In episode 3, Jerry begins the process of adding additional cloud formations as well as re-working existing formations to create very interesting pockets of negative space.

In this final episode, Jerry shows his viewers how to begin adding the layers of light to form the larger masses of clouds and to finalize all the shapes of each overlapping cloud formation.

Acrylic Painting on12x24 stretched canvas. In this opening segment, Jerry discusses the history of the milky stork and the color scheme.

In the session, Jerry shows his viewers how to continue painting in the foreground details of the muddy areas using a variety of brushes and a toothbrush.

In this episode Jerry takes his viewers through the process of how to block in the larger birds.

In the final episode, Jerry shows his viewers how to begin the process of building layers of soft lighter gray tones to start layering the feather patterns.

Acrylic painting on 18x24 stretched canvas. In this opening segment, Jerry discusses the type of canvas and underpainting tint.

In this episode, Jerry finishes painting in all areas behind the wall.

In this third segment, Jerry continues painting in the road by adding the ruts, small pebbles, and gravel effect by using a toothbrush.

In this episode, Jerry shows his viewers how to begin detailing the wall and add the stones and other miscellaneous highlights.

In the final episode of this series, Jerry takes his viewers through the final process of detailing and highlighting.

Acrylic on 18x24 stretched canvas. In this opening segment, Jerry talks with his viewer about the awesome beauty and power in nature and encourages his viewers to visit Yellowstone and Old Faithful.

In this segment, Jerry starts the finishing phase of the sky and background.

In episode 3, Jerry continues highlighting the foreground rock area with multiple colors and various brighter highlights and details.

In this final episode, Jerry continues layering the highlights on the explosion of mist and gases from the geyser.

Acrylic Painting on18x24 stretched canvas. In this opening segment, Jerry explains the process of creating a memory painting without the use of reference material -- other than a rough "memory" sketch of things you have seen as you travel.

In the session, Jerry continues the underpainting process by blocking in the water and various areas of land masses.

In this episode Jerry begins the refinement phase of detailing and highlighting the grasses and other areas.

In the episode, Jerry shows his viewers how to paint the stones and miscellaneous details on the bridge.

In this final segment, Jerry takes his viewers through the process of adding all final details and highlights.

Acrylic Painting on18x24 stretched canvas. In this episode, Jerry discusses the size, shape, and preparation of his canvas.

In this episode, Jerry continues showing how to form and highlight the snowdrifts using brighter glazes of white.

In this episode, Jerry continues underpainting the base grass clumps.

In the final episode of this series, Jerry shows how to underpaint the rabbit.