Amid the hard times of the Depression, a new dance, the Lindy Hop, begins to catch on at the dance halls of New York. The reminiscences of two of Harlem's greatest dancers, Frankie Manning and Norma Miller, help frame this episode. Louis Armstrong begins to sing on stage; though his career suffers from a string of bad luck, his trumpet playing and singing continue to astonish listeners. Duke Ellington's band begins to appear in Hollywood films, and he provides audiences in America and abroad with an image of elegant sophistication. The privileged young writer and music producer John Hammond promotes jazz and social justice with equal zeal. Benny Goodman becomes a successful bandleader, Fats Waller becomes one of the most popular entertainers in the country and pianist Art Tatum brings a dazzling virtuosity to the music. As swing dancing catches on, a new kind of big band jazz begins to emerge.
Episode Duration: 1 hour 58 minutes and 7 seconds
Episode Number: 104
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Jazz is born in the unique musical and social cauldron of New Orleans at the turn of the 20th century, emerging from several forms of music, including ragtime, marching bands, work songs, spirituals, European classical music, funeral parade music and, above all, the blues.
Musicians who advance early jazz in New Orleans include Creole pianist and composer Jelly Roll Morton, cornetist Buddy Bolden and clarinet prodigy Sidney Bechet.
Composer W.C.
Handy codifies the blues through his popular compositions.
The Original Dixieland Jazz Band makes the first jazz recordings.
Their enormous popularity spreads the sounds of jazz across the country and, eventually, the world.
At the end of the episode, viewers meet an 11-year-old New Orleans boy, Louis Armstrong, who will emerge from the city's toughest streets to become jazz music's greatest star and transform American music.
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